The fading glory of Boro Bari

Old Dhaka is a site for historic and magnificent structures. But the splendid buildings are disintegrating with the lack of conservation.

One of the majestic edifices is Boro Bari, the grand mansion at No. 45 BK Das Road in Farashganj.

The 19th century ornate building is under threat as there have been no repairs over long period of time.

The government introduced an act on 12 February 2009, declaring 93 structures and nine roads of Farashganj, Sutrapur, along with the area of Shankhari Bazar as heritage sites recognising their historical, aesthetic value.

The act does not allow the present owners of the buildings to repair them. This has actually done more harm than good.

The beautiful architectural Greek styled designs on the wall are on in a dilapidated condition. The neighbouring structures and indiscriminate use of the building pose a serious threat to the structure.

Lack of conservation and awareness contribute to the decline of the aesthetic and historic beauty of this important heritage site.

Extensive measures are required to preserve the invaluable structure.

Prothom Alo's Abdus Salam captured photos of the Boro Bari from Farashganj, Dhaka on 17 July.

Boro Bari, the 19th century mansion, among other structures in Farashganj. The building has been declared a heritage site in 2009
Boro Bari, the 19th century mansion, among other structures in Farashganj. The building has been declared a heritage site in 2009
The front of Boro Bari. Lack of care has resulted in a fading facade
The front of Boro Bari. Lack of care has resulted in a fading facade
The Greek style ornamentation is deteriorating
The Greek style ornamentation is deteriorating
The main building inside the structure is in a miserable condition. It is used as a storehouse
The main building inside the structure is in a miserable condition. It is used as a storehouse
The bricks and plaster of the pillars are in ruins
The bricks and plaster of the pillars are in ruins

*The article has been rewritten in English by Nusrat Nowrin.