An extended sequence of projectile vomiting and violent diarrhoea on the ship quickly became the talk of the festival after its premiere last week, leaving viewers either howling with laughter or turning green.

Accepting the award, Ostlund said he wanted audiences to be entertained but also “to ask themselves questions, to go out after the screening and have something to talk about”.

‘Come a long way’

The most moving part of the ceremony was the best actress award that went to Iranian Zar Amir Ebrahimi, forced to flee her country 16 years ago following a smear campaign over her love life.

She played a journalist in “Holy Spider”, tracking a man who murders prostitutes in the holy city of Mashhad.

“I have come a long way to be on this stage tonight,” said Ebrahimi, who now lives in Paris. “It was not an easy story.

“This film is about women, it’s about their bodies, it’s a movie full of faces, hair, hands, feet, breasts, sex—everything that is impossible to show in Iran,” she added.

It was a strong night for Asian cinema with best director going to South Korea’s Park Chan-wook for “Decision to Leave”, about a detective falling for his murder suspect.

The best actor award went to Song Kang-ho—world-famous as the father in the Oscar-winning “Parasite”—for his performance in the touching adoption drama “Broker” by Japan’s Hirokazu Kore-eda.

The runner-up Grand Prix was split between 32-year-old Belgian Lukas Dhont and French veteran Claire Denis.

Dhont’s “Close” is a tender portrait of two boys facing bullying as they grapple with their budding sexuality, while Denis won for “Stars at Noon”, a love story set against political tensions in Central America.

The third-place Jury Prize was shared between “The Eight Mountains”, about a lifelong friendship in the Italian Alps; and the festival’s most radical entry, “EO”, a movie told entirely from the point of view of a donkey, from 84-year-old Polish legend Jerzy Skolimowski.

‘Wickedly funny’

The 12-day festival saw plenty of Hollywood glitz, kickstarted by Tom Cruise with his first trip to Cannes in 30 years to launch “Top Gun: Maverick”, accompanied by a French Air Force display team.

There was also the world premiere of Baz Luhrmann’s rock’n’roll biopic, “Elvis”.

In a crowd-pleasing twist, Elvis Presley’s granddaughter Riley Keough won the Camera d’Or, the prize for best first film, for “War Pony” with co-director Gina Gammell.

The war in Ukraine cast a shadow over proceedings from the start with a video message from President Volodymyr Zelensky at the opening ceremony.

Several Ukrainian films received special screenings, and there was bitter debate over the inclusion of Russian director Kirill Serebrennikov in the main competition, despite his condemnation of the war.

Critics found it impossible to agree on the entries this year, with many being loved and hated in equal measure.

“Triangle of Sadness” also proved divisive, with Variety finding it “wickedly funny” while the The Guardian calling it a “hammy, unsubtle, easy-target satire”.

But the final word went to the nine-strong jury, this year led by French actor Vincent Lindon and including two-time Oscar-winning Iranian director Asghar Farhadi and Indian superstar Deepika Padukone.

Lindon said they struggled to agree on a winner, but “the entire jury was extremely shocked” by “Triangle of Sadness”.

To mark the 75th jubilee edition of the festival, a special prize was awarded to Jean-Pierre and Luc Dardenne, who have twice won the Palme d’Or and were back in competition with the well-received migrant drama “Tori and Lokita”.

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